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1 paste
{peist}
I. 1. тесто
2. паста
3. пастет
4. кит, замазка
5. лепило, клайстер
6. стъклена маса (за изкуствени скъпоценни камъни)
made of PASTE разг. фалшив, без стойност
7. омесена глина
II. 1. залепвам, облепвам (с хартия)
to PASTE up a notice залепвам съобщение
to PASTE up a window облепвам прозорец с хартия
2. sl. напердашвам здраво, бомбардирам тежко, зашлевявам (някого)* * *{peist} n 1. тесто; 2. паста; З. пастет; 4. кит; замазка; 5. ле(2) {peist} v 1. залепвам; облепвам (с хартия); to paste up a notic* * *тесто; тестен; облепвам; паста; пастет; пюре; залепвам; лепило;* * *1. i. тесто 2. ii. залепвам, облепвам (с хартия) 3. made of paste разг. фалшив, без стойност 4. sl. напердашвам здраво, бомбардирам тежко, зашлевявам (някого) 5. to paste up a notice залепвам съобщение 6. to paste up a window облепвам прозорец с хартия 7. кит, замазка 8. лепило, клайстер 9. омесена глина 10. паста 11. пастет 12. стъклена маса (за изкуствени скъпоценни камъни)* * *paste [peist] I. n 1. тесто; 2. паста, пастет; 3. лепило; клей; кит; flour \paste нишестено лепило, кола; 4. стъклена маса (от която се правят изкуствени скъпоценни камъни); made of \paste разг. фалшив; без стойност; 5. мека глина (за изработване на грънци); II. v 1. залепвам; облепвам (с хартия); to \paste up a notice залепвам обява; to \paste up a window облепвам прозорец с хартия; to \paste s.th. in залепвам нещо (в книга и пр.); 2. нанасям паста; замазвам; 3. sl (за)лепвам някому шамар; напердашвам. -
2 paste
I [peɪst]1) (glue) colla f.2) (mixture) impasto m., pasta f.3) gastr. (fish, meat) pâté m.; (vegetable) purè m.4) (in jewellery) strass m.II [peɪst]1) (stick) incollare, appiccicare [label, paper]2) (coat in glue) spalmare di colla [ wallpaper]4) inform. incollare•- paste up* * *[peist]1) (a soft, damp mixture, especially one made up of glue and water and used for sticking pieces of paper etc together.) colla2) (a mixture of flour, fat etc used for making pies, pastry etc.) pasta, impasto3) (a mixture made from some types of food: almond paste.) pasta* * *[peɪst]1. n1) (substance, consistency) impasto, (glue) collafish paste — pâté m inv di pesce
2) (gems) strass m inv2. adj(jewellery) di strass3. vt(put glue on) spalmare di colla, collare, (fasten with glue) incollare* * *paste /peɪst/n.1 [uc] pasta: alimentary paste, pasta alimentare; anchovy paste, pasta d'acciughe; stiff paste, pasta densa● paste job, lavoro copiato (o abborracciato); lavoro di forbici e colla □ (tecn.) paste mixer, impastatrice ( non per farina) □ paste pot, vaso da colla □ paste resin, resina in pasta □ shoe paste, lucido da scarpe □ wallpaper paste, colla da parati.(to) paste /peɪst/A v. t.1 incollare; appiccicare2 tappezzare (con la colla): to paste ad posters all over the place, tappezzare tutto quanto di manifesti pubblicitari3 (comput.) incollare: Paste link (o shortcut) incolla collegamento; Paste special, incolla specialeB v. i.incollarsi; appiccicarsi● to paste up, attaccare; affiggere: to paste up a notice, affiggere un avviso □ to paste a window with paper, coprire una finestra incollandovi sopra della carta.* * *I [peɪst]1) (glue) colla f.2) (mixture) impasto m., pasta f.3) gastr. (fish, meat) pâté m.; (vegetable) purè m.4) (in jewellery) strass m.II [peɪst]1) (stick) incollare, appiccicare [label, paper]2) (coat in glue) spalmare di colla [ wallpaper]4) inform. incollare•- paste up -
3 paste up
paste [sth.] up, paste up [sth.]1) affiggere, attaccare [notice, poster]2) tip. fare un menabò di [article, page]* * *paste [sth.] up, paste up [sth.]1) affiggere, attaccare [notice, poster]2) tip. fare un menabò di [article, page] -
4 paste
A n3 Culin (fish, meat) pâté m ; (vegetable, fruit) purée f ; salmon paste pâté m de saumon ; tomato paste purée f de tomates ;4 ( in jewellery) strass m.C vtr1 ( stick) coller [label, paper] (onto sur ; into dans ; together ensemble) ;2 ( coat in glue) encoller [wallpaper] ;3 ○ ( hit) tabasser [person] ;4 ○ ( defeat) battre [qn] à plates coutures ○ [opponent, team] ;5 Comput coller.■ paste up:▶ paste [sth] up, paste up [sth]1 afficher [notice, poster] ;2 Print faire une maquette de [article, page]. -
5 paste
paste [peɪst]1 noun(a) (smooth substance) pâte f;∎ Ceramics hard/soft paste pâte f dure/tendre∎ fish/meat paste = pâte à tartiner à base de poisson/viande;∎ tomato paste concentré m de tomate(d) (for jewellery) strass m, stras m;∎ paste necklace/diamonds collier m/diamants mpl en stras ou strass∎ paste the labels on the parcel collez les étiquettes sur le colis(b) (cover → wall) recouvrir;∎ the crate was pasted with stickers la caisse était couverte d'autocollants -
6 paste up
paste [something] up, paste up [something] afficher [notice, poster]; faire une maquette de [article, page] -
7 paste
I[peist] n մածուկ, քսուք, սոսինձ. tooth paste ատամի մածուկ. fish paste ձկան պաշտետII[peist] n խմոր[peist] v սոսնձել, կպցնել, փակցնել. paste together իրար կպցնել. paste a notice on the wall պատին հայտարարություն փակցնել -
8 paste up
v + o + adv, v + adv + oa) \<\<poster/notice\>\> pegar*b) ( Publ) armarc) ( Comput) \<\<text/paragraph\>\> pegar*VT + ADV [+ notice] pegar; (Typ) armar* * *v + o + adv, v + adv + oa) \<\<poster/notice\>\> pegar*b) ( Publ) armarc) ( Comput) \<\<text/paragraph\>\> pegar* -
9 paste failure
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10 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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11 fasten
1. I1) usually in the negative a window (a gate, etc.) fastens окно и т. д. запирается; the door won't fasten дверь никак не запирается; the catch won't fasten замочек не защелкивается2) this dress (a coat, a glove, etc.) doesn't fasten платье и т. д. не застегивается2. IIthis door fastens securely эта дверь хорошо /надежно/ запирается2)the dress (the jacket, the coat, etc.) fastens tightly (loosely) платье и т. д. застегивается туго (свободно)3. IIIfasten smth.1)fasten a door (a gate, a window, etc.) запирать дверь и т. д., fasten a bolt задвигать засов2)fasten a dress (a blouse, a coat, a jacket, a glove, etc.) застегивать платье и т. д., fasten the belts пристегивать ремни; fasten the buttons застегнуть пуговицы, застегнуться; fasten a tie завязать галстук3)fasten a string (а горе, а cord, etc.) привязывать бечевку и т. д.; fasten a boat привязывать лодку; fasten the ends of a rope связывать концы веревки; they fastened his hands and feet a) они связали ему руки и ноги; б) они связали его по рукам и ногам4. XVI1) fasten with /by/ smth. fasten with a bolt (by a hook, with a latch, etc.) запираться на засов и т. д.2) fasten with (up, down, etc.) smth. fasten with buttons застегиваться на пуговицы: the dress fastens down (up) the back это платье застегивается сзади3) fasten with /by/ smth. fasten with a rope (with a string) привязываться или связываться веревкой (шпагатом)4) fasten upon (on to) smb., smth. coll. fasten upon a famous poet (upon his sister's friend, upon one's elder brother, etc.) не давать прохода /приставать к/ знаменитому поэту и т. д. some beggars fastened upon him к нему привязались нищие; the children fastened upon him дети повисли на нем; the crab fastened on to his leg краб вцепился ему в ногу; the bees fastened upon me пчелы облепили /набросились на/ меня; sickness has fastened upon him к нему привязалась /прицепилась, прилипла/ болезнь; fasten (up)on smth. fasten upon an idea (upon a fact, upon a suggestion, upon a pretext, upon a lie, etc.) ухватиться /уцепиться/ за какую-л. идею и т. д.: my eyes fastened on the statute скульптура приковала мое внимание5. XXI11) fasten smth. with /by/ smth. fasten a door with a bolt (tile window with /by/ a hook, the gate with a well, etc.) запирать дверь на засов и т. д.2) fasten smth. with smth. fasten a skirt with a pin подкалывать юбку булавкой; fasten a coat with a belt подпоясывать пальто; fasten a parcel with a string обвязывать пакет шпагатом; fasten a plank with a nail прибивать /укреплять/ дощечку [гвоздем]; fasten a drawing with thumbtacks прикреплять рисунок кнопками; fasten the papers with a clip скрепить /сколоть/ бумаги [скрепкой]; fasten an envelope with a seal запечатывать письмо; fasten a label with paste приклеивать этикетку [клеем]; she fastened her hair with a ribbon она завязала /подвязала/ волосы лентой; fasten smth. to smth. fasten a notice to the wall прикрепить /приклеить, прилепить, приколоть/ объявление к стене; fasten a map to the blackboard прикрепить карту к доске; fasten wires to the poles протянуть провода между столбами; fasten a horse to a tree привязать лошадь к дереву; fasten a statue to a pedestal укрепить статую на пьедестале3) fasten smth. (up)on / on to, to/ smb. fasten the blame on him (the guilt upon his brother, the article on to this man, the letter to her, etc.) приписывать вину и т. д. ему; fasten one's hopes on his promise связывать (свой) надежды с его обещанием4) fasten smth. (up)on smb. coll. fasten a quarrel (an argument, a conversation, etc.) upon smb. навязывать кому-л. ссору и т. д.', fasten a nickname on smb. давать кому-л. прозвище5) fasten smth. on smb., smth. fasten one's eyes on smb., smth. пристально смотреть на кого-л., что-л.; the dog fastened his eyes on the stranger собака не спускала глаз с незнакомца; fasten smb. with smth. fasten smb. with a look пристально смотреть на кого-л.; fasten smb. with a reproachful eye устремить на кого-л. взгляд, полный упрека; посмотреть на кого-л. с упреком -
12 placard
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13 board
2) мн. ч. бордсы ( доски шириной более 200 мм и толщиной менее 50 мм); пиломатериал3) плита, панель; лист5) приборный щит, приборная панель6) мн. ч. сцена; подмостки7) коллегия; правление; совет8) обшивать досками; делать дощатый настил•board nailed to butt ends of timber beams — доска обгонная (доска, пришитая к торцам нескольких параллельных деревянных балок конструкции)
board nailed to rafter end (to support eave) — кобылка (отрезок доски, удлиняющий нижний конец стропильной ноги для расположения на нём свеса крыши или сплошной обрешётки, лежащей на карнизе)
- air-dry board - angle board - anticorrosive board - antitarnish board - asbestos board - backing board - bagasse board - bamboo board - baffle board - barge board - barrier board - Bartrev board - baryta board - beaver board - base board - batter boards - boning board - bridge board - bridging board - building board - cane fibre board - cant board - ceiling board - chimney board - compo board - composite board - control board - cork board - corner-locked board - cull board - D and M boards - dash board - deals boards - draining board - drawing board - dressed board - earth board - eaves board - edging board - elbow board - facing board - fascia board - feather edge board - fibre board - fibre acoustical board - flash board - floor board - frame board - free board - gauge board - glass-fibre board - glued board - guard board - gypsum wall board - half inch board - lear board - lith board - louver boards - louvered boards - match board - mill board - mould board - moulded board - notch board - notice board - partition board - paste board - pit boards - plaster board - poling boards - rough board - saddle back board - sarking boards - scale board - scum board - sign board - sketching board - skirt board - sluice board - smoothing board - snow board - sounding board - spacing board - splash board - spot board - square-edged board - stratum board - strike board - strike-off board - tarred board - thistle boards - valley boards - verge board - vibrating board - wall board - window board - wood-chip board - wood-fibre board - wood particle boardto board up — заколачивать досками (окно, дверь)
* * *1. доска2. плита, панель; лист3. строительный картон4. обшивать досками5. приборный щит, приборная панель; табло- acoustical boardboard and batten — чистовая деревянная обшивка стены с чередованием толстых и тонких досок; наружная дощатая обшивка с нащельниками
- angle board
- asbestos board
- asbestos-cement board
- asbestos-cement wall boards
- backer board
- baffle board
- barge board
- base board
- batter boards
- bevel board
- boning board
- breast board
- bridge board
- building boards
- cant board
- carved board
- composite board
- crawling board
- D and M boards
- distribution board
- draining board
- drain board
- drawing board
- dressed boards
- duck board
- eaves board
- facing board
- fascia board
- fat board
- feather-edged board
- fiber building board
- flake board
- flash board
- flashing board
- floor board
- foil faced sheathing board
- form panel board
- frame board
- gable board
- gang board
- gauging board
- glass fiber board
- glazier's board
- gravel board
- grooved board
- group distribution board
- guard board
- gypsum board
- haunch board
- insulating board
- insulating form board
- insulating plastic foam board
- knee board
- knot-free board
- layer board
- ledger board
- leveling board
- luffer board
- matched boards
- match boards
- mineral wool board
- mixing board
- mold board
- mortar board
- nonstructural board
- notched board
- notch board
- paper board
- particle board
- perforated ceiling board
- planed boards
- plaster board
- poling board
- ridge board
- screed board
- semi-rigid glass fiber board
- sheathing board
- side board
- skirting board
- snow board
- sound absorbing board
- straw board
- string board
- structural board
- structural insulating board
- thermal insulating board
- tongue-and-groove boards
- tread board
- valley board
- verge board
- wall board
- weather board
- window board
- wood chip board
- wood fiber board
- wood particle board -
14 board
1. n доска2. n спец. доски шириной более 20 см и толщиной до 5 см3. n l4. n подмостки, сценаto go on the boards — пойти на сцену, стать актёром
5. n спец. подмости6. n классная доска7. n доска для серфинга8. n полка9. n плотный картон10. n крышка переплёта11. n австрал. настил, на котором стригут овецboard label — книжный знак, экслибрис
twin wire board — картон, обе стороны которого сеточные
12. n разг. картина, которая продаётся на улицеsteamboat board — картонная сторонка, размер которой заданного формата
13. v настилать пол; обшивать досками14. v забивать, заколачивать досками15. v столоваться16. v предоставлять питание или полный пансионhalf board — полупансион, половинный пансион
17. v сесть на корабльto board the train — сесть в поезд, поехать на поезде
18. v амер. сесть в поезд, в трамвай, на самолёт19. v разг. обращаться, приставать; заигрывать20. v прижать к бортику21. v разг. проводить медосмотр новобранцевhe was boarded yesterday and passed for general service — вчера он прошёл комиссию и был признан годным к службе
22. v мор. лавировать23. v мор. брать на абордаж24. n правление; совет; коллегия; департамент; министерствоboard of directors — правление; совет директоров
Синонимический ряд:1. beam (noun) beam; timber2. council (noun) board of directors; cabinet; committee; council; jury3. room and board (noun) eats; fare; food; meals; mess; provisions; room and board; victuals; vittles4. strip of wood (noun) flooring; lath; lumber; plank; shelf; siding; slat; strip of wood; two by four; wood5. table (noun) dining table; dinner table; mahogany; table6. cover with boards (verb) board up; cover; cover with boards; nail shut; paper; plank; protect by nailing planks; tile7. go on board ship (verb) embark; enplane; entrain; go aboard; go on board; go on board ship; put to sea8. harbor (verb) accommodate; bed; berth; bestow; billet; bunk; care for; domicile; domiciliate; entertain; feed; harbor; harbour; house; hut; lodge; put up; quarter; room; room and board; roost9. take (verb) catch; takeАнтонимический ряд: -
15 board
1. стапельный стол; доска2. сторонкиpaper board and cloth back binding — составная переплетная крышка из картонных сторонок и тканевого корешка
3. подставка4. департамент, правлениеbound in boards — в картонной переплётной крышке, в переплёте-папке
5. задняя сторонка6. кашировальные колодкиBristol board — бристольский картон, качественный картон
7. сторонки переплётной крышкиboard paper — часть форзаца, приклеиваемая к переплетной крышке
8. обложечный картонE-flute corrugated board — гофрированный картон с микрогофром, микрогофрокартон
end board — ограничительная прокладка, "картонка", "дощечка"
9. накладной стол10. спускной столglazed board — прессшпан, каландрированный картон
graining board — картон, имитирующий тиснёную кожу
laced-on boards — сторонки, скреплённые шнуровкой
laying-on board — накладной стол; накладная доска
lens board — стойка объективов, вставная рамка с объективом
letter board — наборная доска; доска для спуска формы
groaning board — стол, ломящийся под тяжестью яств
11. картон12. папкаpile board — стапельный стол ; доска стапельного стола
steamboat board — картонная сторонка, размер которой меньше формата обрезаемых блоков
twin wire board — картон, обе стороны которого сеточные
См. также в других словарях:
paste — 1 noun 1 meat/fish/tomato etc paste a soft mixture made from crushed solid food that is used in cooking or is spread on bread 2 (C, U) a soft thick mixture that can easily be shaped or spread: Mix the powder with enough water to make a smooth… … Longman dictionary of contemporary English
paste — paste1 [peıst] n [Date: 1200 1300; : Old French; Origin: Late Latin pasta] 1.) meat/fish/tomato etc paste a soft smooth food, made by crushing meat, fish etc 2.) [U and C] a soft thick mixture that can easily be shaped or spread ▪ Mix the powder… … Dictionary of contemporary English
paste — 1. noun 1) blend the ingredients to a paste Syn: purée, pulp, mush, mash, blend 2) wallpaper paste Syn: adhesive, glue, gum, fixative, mucilage 2. verb … Thesaurus of popular words
paste — 1. noun 1) blend the ingredients to a paste Syn: purée, pulp, mush, spread, pâté 2) wallpaper paste Syn: adhesive, glue, gum; N.Amer. mucilage 2. verb a notice was … Synonyms and antonyms dictionary
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